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In the Footsteps of St. Demetrios
World première program In the Footsteps of St. Demetrios Cappella Romana Alexander LingasFounder & Director Cappella Romana brings to life the vibrant soundscape of medieval Thessaloniki. Hear ancient hymns honoring the city’s patron: the ever-popular St. Demetrios, sung on the weekend of his annual feast day. Experience ecstatic Byzantine chants for the saint adorning the
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Psaltikon: The Day of Resurrection
The Historical Development of Easter The celebration of Easter (i.e., Pascha) for Orthodox Christians commences on Saturday morning with a Vesperal Liturgy that comprises psalms, hymns, and Old Testament readings, followed by the Divine Liturgy of St. John Chrysostom. Pascha is formally inaugurated several hours later, at midnight, in a rush of blazing candles, exuberant
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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
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Good Friday In Jerusalem Concert Program
Our concert features excerpts from the “Service of the Holy Passion of our Lord Jesus Christ” as it would have been celebrated in Jerusalem during the tenth century. The ancestor of the service celebrated in the modern Byzantine rite on Holy Thursday evening, this is a stational version of the office of early morning prayer
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Mass Appeal – Living Traditions
Mass Appeal SEATTLE Fri 24 Oct 2O25, 7:3O PMSt. Mark’s CathedralCapitol Hill, Seattle PORTLAND Sun 26 Oct 2O25, 2:OO PMSt. Mary’s CathedralNorthwest Portland It was 2018 when David Hattner first proposed pairing Bruckner’s Mass in E minor with Stravinsky’s Mass in a project with Cappella Romana and Portland Youth Philharmonic, and I immediately recognized the
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Great and Holy Friday in Jerusalem Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Great and Holy Friday in Jerusalem In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would
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Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
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Cappella Romana 22nd Season
These past few weeks, we’ve profiled the highlights of the 2013-2014 concert season. Have a look back at the previews here! Join the audience and save up to 25% by subscribing! The Church of the Savior on Spilled Blood (whose mosaics are pictured on the right) is unusual in St. Petersburg in that it harkens
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Save 25% on 2013-2014 Season Subscription Online Today!
Subscribe to the Cappella Romana 2013-2014 Season Online and Save 25%! These past few weeks, we’ve profiled the highlights of the 2013-2014 concert season. Have a look back at the previews here! Join the audience and save up to 25% by subscribing — Now Online! The Church of the Savior on Spilled Blood (whose mosaics
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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Artslandia Reviews Handel’s Messiah
“…since 2010 the choruses have been sung by Cappella Romana, the city’s finest choir.… Given their long experience with the piece (and a wide range of other music besides), Cappella Romana was unsurprisingly terrific; their performance was a model of Handel performance and worth the price of admission on its own. Within and across sections,
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